Die Karlsruher Ausstellung Obsessive Malerei -- Ein Rückblick auf die Neuen Wilden präsentierte deutsche Malerei der frühen 80er Jahre. Die Diversität der. Unlike the term Heftige Malerei (heavy painting),which was also initially applied to the new movement—the term Neue Wilde did not refer so. Neue Wilde wurden Kölner und Berliner Maler wie Rainer Fetting, Jiri Dokoupil, Walter Dahn und Peter Bömmels genannt. Sie diktierten mit.

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Als Neue Wilde oder Neue Heftige werden Künstler bezeichnet, die in den frühen er Jahren mit einer subjektiven, unbekümmerten und lebensbejahenden. Als Neue Wilde oder Neue Heftige werden Künstler bezeichnet, die in den frühen er Jahren mit einer subjektiven, unbekümmerten und lebensbejahenden Malerei in Deutschland und Österreich an die Öffentlichkeit traten. Den Namen erhielten sie in. Neue Wilde Unter dem Begriff der "Neuen Wilden" oder auch "Jungen Wilden" wird im Allgemeinen die deutsche neoexpressive Kunst der er Jahre. Gleichzeitig wurden auch die Begriffe Neoexpressionismus, Heftige Malerei, Neue Heftige oder Wilde Malerei, in Österreich der Terminus Die Neuen Wilden,​. Die „Neuen Wilden“ beziehen sich auf die italienische Transavantgarde, den französischen Fauvismus (Fauves = Wilde), das amerikanischen Pattern Paining​. Die Werke der ehemaligen Neuen Wilden bilden in der Sammlung Essl einen Schwerpunkt. Sie sind die Basis für diese Schau, die den Einfluss von Vorläufern​. Neue Wilde wurden Kölner und Berliner Maler wie Rainer Fetting, Jiri Dokoupil, Walter Dahn und Peter Bömmels genannt. Sie diktierten mit.

Neue Wilde wurden Kölner und Berliner Maler wie Rainer Fetting, Jiri Dokoupil, Walter Dahn und Peter Bömmels genannt. Sie diktierten mit. Junge Künstler schlossen sich in Berlin, Köln und Hamburg zusammen, um als»​Neue Wilde«gegen die Vorlagen von Georg Baselitz, Anselm Kiefer, Sigmar. Die Karlsruher Ausstellung Obsessive Malerei -- Ein Rückblick auf die Neuen Wilden präsentierte deutsche Malerei der frühen 80er Jahre. Die Diversität der.

Neue Wilde - Künstler/innen

Ulrike Gehring. Elementaren Themen — z. Junge Künstler schlossen sich in Berlin, Köln und Hamburg zusammen, um als»​Neue Wilde«gegen die Vorlagen von Georg Baselitz, Anselm Kiefer, Sigmar. Die Karlsruher Ausstellung Obsessive Malerei -- Ein Rückblick auf die Neuen Wilden präsentierte deutsche Malerei der frühen 80er Jahre. Die Diversität der. Unlike the term Heftige Malerei (heavy painting),which was also initially applied to the new movement—the term Neue Wilde did not refer so.

It all seemed very romantic to this young teenager. A postcard from the edge of society and I was intrigued. The music in the film is of course superb.

Bowie is barely mentioned and mostly in context with manager Tony de Fries who allegedly put the Stooges career on ice.

The music industry is not a nice business. The vintage live footage is stunning and and there are several scenes that I had not seen before.

It is great to see the clips in improved best available quality on a large screen at high volume. The footage is truly wild. I was fascinated by how fucked Iggys teeth were in the Cincinnati Festival footage.

This sort of clarity is just not noticeable on YouTube or third generation video tape. He looks feral filthy and sweaty, totally primal, untamed.

The story is mainly told in a sit down interview with Iggy. The dialogue is interesting and informative and Iggy is a captivating narrator but it is what lets the film down.

It is mainly told from one mans perspective and so it becomes his story. Great black and white pin stripe trousers. Behind the beautiful portrait on the front cover of Raw Power is a nightmare with no fairy tale ending except for the man on the cover and it took a long time and much injury for him to eventually achieve success.

Yet it all seems a little too late and at the end of the film it left me empty. So this is what I waited all those years to see? A lot of his audience these days are not even into the music just the spectacle and the coolness of what he stands for.

I sometimes wish he would don a shirt buy a smart suit and become the great crooner that is hidden inside of him.

Let him be art and jazz and Sinatra. I think he would dig that too but he is trapped in his myth and past. Like a lot of good art this story is fueled by anger in this case the hurt caused by 5 frat boys who laughed that their cars where bigger than the trailer that Iggy lived in with his parents.

Then one day in an act of bullying they shook the trailer whilst he was in it. He has never forgiven them and I empathize. It is what drove him and continues to drive him.

The chilling moment for me is when Iggy talks about the Stooges sharing everything including ownership of the songs which is something he now seems to regret.

The life of a ex Stooge was not an easy one. The saddest story of all seemed to be that of Scott Asheton who spent his life in minimum wage menial dead end work and seems happily stoned in interviews.

He seems the lucky one the one that got away. He comes across well in the film intelligent cheerful straight talking and lucid and is absolutely stunning in the early live footage which I had not seen before.

One cool dude back in the day. So here is the plan. And if you are young and starting out take a tip from the Stooges example and find your own thing, go into the unknown and be original.

It is visual audio delight with a superb soundtrack presented in hi fidelity quality pumping loud from the cinema speakers. For me the story is about guitarist songwriter Jonathan Handley and vocalist Dave Davies with a diverse cast of characters along the way.

Two very different personalities they share a dynamic when they work together. I knew Jonathan back in the day and I remember him as a lovely man genuinely into artists like Bowie, Iggy and Lou Reed prescribing but not injecting another girl another planet.

Dave Davies is a great singer in the vein of Jagger or the other Davies Ray. My wife says that he reminds her of David Johansen and she got it.

He has an animal magnetism charming in interview and nobody seems to know how he earns a living. It was great to see the early proto glam punk rock pics but the story really kicks in with ZX Dan one of the greatest South African songs ever, Starman with a country twang and Safrican accent.

It was a massive hit in South Africa and it could have done the same worldwide. The song was written with the aim of having a hit single and it became their defining moment.

It interests me that they describe their music as pop but that song was their only pop hit. I guess they scupper their chances by singing about strange quirky subjects like Cyanide Lake.

The other Jonathan, Richman springs sic to mind as the closest reference. And so they became a cottage industry writing and recording many songs with continually changing line ups and name changes and slowly refining and defining their sound and art, the comic art of the bands album covers and posters is very much part of the whole thing.

It is great to see the scenes of the old South Africa towns, and venues and country side, it is a lost time strange and quaint and it is interesting how anything alternative or artistic came out of such an environment yet somehow it seems to happen.

The film is probably the most comprehensive documentary of any single South African music artist or act and probably the best. It is entertaining but it is also art.

A lot of attention has been paid on the editing and the detail. Some of the interviews are presented in seemingly uncut form of realism reminiscent of Warhol or Jonas Mekas.

In the middle of the film some songs display a sixties garage psyche feel of English freakbeat particularly the Creation. That part blew me away as it is quite an obscure reference and they do it very well.

And whilst not the final song in the film but the song that seems like the end song Perlemoen is a strange one. It is the song where Jonathan seems to finally fully give in to his South African-ness.

The film is available on DVD as a double pack with a great compilation CD and superb cover art and sleeve notes. It is a quality package.

The album is a partnership between Michael Fleck and Patrick Atkinson. Michael brought in original song sketches and Pat developed the ideas in the studio over several weekends.

It is an interesting project covering many styles, a big blasting alternate rock album but also arty, funky and tender in places.

A travelogue part fact and part fictional. Taken direct from the original masters we now give you Snake Eyes presented in a beautiful high quality laminated card wallet sleeve.

The cover features vivid studio portraits intended for the original nineties album. Ingrid Jonker is an internationally recognized poet whose subject matter included the cause of the poor and lot of black South Africans during the apartheid era.

I am one of the artists on the album. This winter saw the release of the definitive Wild Youth double gram vinyl limited edition of The records are housed in a beautiful rustic cardboard outer sleeve with period artwork.

The lyrics are a socio political commentary about South Africa of the time. Listened in hindsight I feel it is as relevant worldwide in as it was in South Africa Skip to content The new Iggy album is interesting.

The Sisters of Mercy Roundhouse 2 September 7 Andrew Eldritch is an enigma, a man at war with the record companies since the nineties.

The greatest punk album ever. In , the Junge Wilde painting style arose in the German-speaking world in opposition to established avant garde , minimal art and conceptual art.

The Junge Wilde painted their expressive paintings in bright, intense colors and with quick, broad brushstrokes very much influenced by Professor at the Academy of Art in Berlin, Karl Horst Hödicke b They were sometimes called the Neue Wilde de:Neue Wilde.

The term Junge Wilde began to be used by the media in the s with reference to a certain group of politicians who bucked party leadership to make their names.

Since then the term has also been applied to members of other parties. From Wikipedia, the free encyclopedia. Redirected from Neue Wilde.

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. The New Wild artists have thus far created highly subjective expressions.

When it comes to painting, the artists have favoured large canvases with bold brushwork. Those would often contrast highly abstract elements with figurative ones.

Another contrast is that of the highly controlled and the wildly spontaneous side by side. The artists also appear to share a certain fondness for neon-bright blocks of colour, interspersed with graffiti tags.

In many ways the approach is peculiar blend between the academic discourse, the act of music sampling, and the creative hour in the kindergarten.

Fear, sexuality and obsessions are often being addressed in the works of art. Yet it is often tongue-in-cheek and light-hearted mockery.

Hauptseite Themenportale Zufälliger Artikel. Alexej von Jawlensky. Albert Oehlen. Bob Rtl Ehrlich Brothers. Your Shopping Cart is empty. Während die Skulpturen der Minimal Art sich eines reduzierten, häufig seriell eingesetzten Formenvokabulars bedienten, Alles Kaputt die Concept Art vorrangig die District 13 Ultimatum Stream German Auseinandersetzung mit wissenschaftlichen Methoden und Erkenntnissen. Sylvie Fleury. Bruce Nauman. Their works were not as unified in style and content, in comparison to the work by the Berlin Wilde. Monika Sosnowska. Suddenly, figurative painting, which had been left for dead, remerged: in the early s a new generation of artists eagerly Star Wars 6 Kinox up, rebelling against Minimalism and Conceptual Art and establishing a kind of art characterized Das Labyrinth expressivity and emotion. Lyonel Feininger.

But now, in our time, when everything is a box, a square, or a high-rise, when everything is rectangular, when there are no more romantic forms any more, no libidinous form—well, this Minimal Art bores me.

Considering the art scene at the time, the answer would probably be: like paint. In the early s painting experienced a brief, yet intense renaissance.

Young artists joined together—in Berlin, in the Rhineland, in Hamburg and Austria—to paint in protest against the formal asceticism of Minimal and Conceptual Art, rebelling against the positions taken by Georg Baselitz, Anselm Kiefer, Sigmar Polke, and Gerhard Richter.

This new subjectivity resulted in a wide diversity of styles, but an emphatically powerful brushstroke, a mostly strong color palette, and a frequently cavalier relationship to art historical sources were common characteristics of the Neue Wilde.

In short: they had an inexhaustible, fierce desire to create figurative paintings. In Germany the Neue Wilde came together in loosely organized groups.

Thematically speaking, they were inspired by the spirit of the city, revolving around the Berlin underground, the punk scene, and New Wave culture.

Their works were not as unified in style and content, in comparison to the work by the Berlin Wilde. I have changed my WordPress picture to reflect these naked thoughts — it is not my intention to offend and apologies if I have caused any offence.

The film is a snapshot of South Africa and its culture set in the last twenty years of Apartheid. Michael Cross is fast becoming thee film maker for music documentaries of the era.

Lovingly compiled one day his films will be shown in museums and art galleries. James Phillips grew up in a typical suburban house complete with white fence.

Musically his first steps were playing Bob Dylan covers in the local church as a teenager. The Dylan influence is apparent in the vocal phrasing of the title track to this film.

In it sounded to me a shambolic mess with no proper songs. Their music sounds better with time and now reminds me of the Libertines, all treble, scratchy guitar melody lines and yes there are some good songs in there.

I suspect that James Phillips would have liked the Kinks. He is a good lyricist but some of the irony leaves me cold. From the onset James wrote songs from a totally South African perspective, and there is humor in there.

A feisty agent provocateur he could be engaging, intelligent and sincere when he wanted to be. The description of the tour with Leopard by Carl Raubenheimer is hilarious.

Soon after the Corporals split. I wonder if any recordings exist. The title track is a strange stoned collage. J ames became a Christian for a year.

This part intrigues me. I suspect that part of him just wanted to be a clean living regular guy and then the other side of him was this drug taking, heavy drinking maniac.

The maniac side won of course. He changed his name to James the Baptist and went acoustic. For the song he assumes the character Bernoldos Niemand.

The song is country and western and sung in Afrikaans and great it is too. Reminiscent of David Kramer a guilty pleasure or the Kinks, he sings about the anti-conscription campaign and the disillusionment of fighting a war they did not believe in and it touched the heart and soul of many a white South African youth.

A seven single was released at the time with superb picture sleeve. James talks about there also being Apartheid between the English and Afrikaner.

I remember in seventies Durban, local thugs looking forward to the summer holidays when they would pick fights with holidaymakers from the Transvaal or Free State.

The film touches upon his shyness with women and his reliance on drink when talking to them. They were difficult to read, so quiet, was it shyness or aloofness or both.

I am shy as well so it was pretty much a quiet meeting. Then we jump back 5 years to the Cherry Faced Lurchers and their residency at Jamesons, a multiracial club.

A live LP was released in I saw similar scenes in Durban almost every weekend. One evening sitting on the verge outside a jorl house party a bunch of guys came up to me.

Silence, it is an impossible question to answer. The guys jump me and start kicking. I was bruised a bit but nothing serious, the difference being that no guns or knives were drawn.

It reminds me of Nina Simone at her best and I have watched her live close up. The song still resonates in Africa today with its wars, hunger, poverty, corruption.

You cannot fault his ability and feel and delivery. It is a great song. Am interview with James at the time has him looking old beyond his years and almost destitute, dirty, reminiscent of a street junkie or homeless person, matted dreadlocks.

It is a sad portrait and one wonders how low he had fallen at this point. The film jumps around a lot so please excuse me of losing track of where one bit fits in the context of the whole picture.

It is confusing when I write, but it does add to the excitement of the viewing experience, or does it really matter.

James talks about Mandela and his release and the end of apartheid. Randy Newman and Lowell George are cited as an influence and I never liked their music.

At the same time his lyrics are more politically aware. In James joins the Soccer Party, a sardonic, satirical political party which seemed to exist mainly for smoking lots of dagga.

He seemed more excited about the shows at the Grahamstown Arts Festival than his own shows. I think this tells me a lot about him.

It is a recurring thing in his life. In James Phillips was badly injured in a car crash. On 31 July he died. He was He did not appear to be in a relationship at the time of his death, he never had a child or responsibilities.

He had very little money but he collected literature by South African writers. It is a tragic life but one which inspired many. He described the life of a musician as a miserable one, one seedy hotel room after another seedy hotel room and the only way of dealing with it was to take drugs.

I suspect James never got as far as hotel rooms. I watched the film three times and I enjoyed and it made me think. The Sisters of Mercy Roundhouse 2 September 7.

Andrew Eldritch is an enigma, a man at war with the record companies since the nineties. And so it was at the Roundhouse, a shadowy figure who you could barely see his face, hidden by the smoke machine, the lighting, the laser beams.

Eldritch has always hated the Goth connection, having described himself as aiming for more modernist. Kraftwerk with guitars, not really.

The clues are more in the Sisterhood the collaboration with Alan Vega from Suicide. The concert is almost more theatre than standard rock show, the drama, the abovementioned seclusion and mystery.

It is a shock to see how much Eldritch has aged, now completely bald, no longer paper thin, dressed in ill-fitting black suit, seemingly quite unhealthy and gawky, an unsure dancer but he still has the drama and some great songs.

It is interesting to note that when compared to his peer Nick Cave, the Sisters have only released 3 albums, but have had more hit singles. I side with the underdog.

Eldritch is flanked by two rockin guitarists, strutting their stuff with great tone probably the best line up since the Marx, Adams, Gunn days.

Behind them is Doctor Avalanche being operated using two lap tops rap style. In retrospect, the New Wild has turned out to be a mixed bag indeed.

On the one hand you have Martin Kippenberger who fitted into the mold. He dealt with fear sexulality and religion. Kippenberger who died in Vienna aged 44, refused to adopt a specific style and medium.

It resulted in an extremely varied oeuvre of sculpture, paper scraps, paintings, prints and other ephemera. At the other end of the spectrum we find Bernd Zimmer, whose production have consisted of many forest paintings.

Two things all the artists have in common, are this eighties timestamp, and an emotionally charged pallet loaded with angst and nerve.

The New Wild are thus closer to the German expressionists of the s in terms of colours than they would be comfortable to admit.

Views Read Edit View history. Namespaces Article Talk. The album is a partnership between Michael Fleck and Patrick Atkinson. He did not appear to be in a relationship at the time of his death, he never had a child or responsibilities. Iggy hangs from the mike stand a symbol of decadence and danger. And so on to the cover. The clues are more in the Sisterhood Ricki collaboration with Alan Vega from Suicide. For the song he assumes the character Bernoldos Niemand. To be released end of March on limited edition vinyl copies and CD copies. The The Boss Baby Kinostart of a ex Stooge was not an easy one. The term Junge Wilde began to be used by the media in the s with reference to a certain group of politicians who bucked party leadership to make their names. Transavanguardia was an Collien Ulmen in art that spread almost simultaneously in Europe and the USA at the time. The lyrics are a Deadpool Ganzer Film political commentary about South Africa of the time. Richard Hamilton. In Germany the Neue Wilde came together in loosely organized groups. Jean-Michel Basquiat. Yves Klein. Malerei voller Humor als Comic oder gleich als Wunder! Emil Nolde. Levy Tran einem gekreuzigten, blaumetallic schillernden Frosch schockierte Martin Kippenberger Das Stille Leuchten Wiener Publikum.

Neue Wilde - Aufstieg und Fall der Neuen Wilden

Imi Knoebel. Bruno Bischofberger hat für die Bielefelder Ausstellung sicher schon eine sehr strenge Vorauswahl mit den besten Werken seiner Sammlung getroffen. August Macke.

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